Helena Rubinstein: Beauty Is Power; October 31, 2014–March 22, 2015

Nov 10, 2014 549
Published in BEAUTY

Summary
The first museum exhibition to focus on cosmetics entrepreneur Helena Rubinstein, one of the leading collectors of avant-garde art and African sculpture in the early twentieth century. The exhibition will highlight her unique collection as well as explore the radical use of modernist display in her world famous beauty salons. Beauty Is Power will feature work by Pablo Picasso, Henri Matisse, Salvador Dalí, Constantin Brancusi, Elie Nadelman, and Joan Miro, among others, as well as outstanding examples of African art.

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Curator
This exhibition is being organized by Mason Klein, Ph.D., Curator of Fine Arts at The Jewish Museum, New York. His recent exhibitions include The Radical Camera: New York’s Photo League, 1936–1951 (2011), Alias Man Ray (2009), and Modigliani: Beyond the Myth (2004).

Catalogue
A fully illustrated, scholarly catalogue will be co-published with Yale University Press.

Interpretive Materials
An audio guide and a free iPhone and/or Android app are under consideration. A printed Gallery Guide will be available for free for visitors.

Audience
Beauty Is Power is projected to attract 100,000 visitors. Exhibitions at The Jewish Museum are attended by a large, dedicated, and diverse audience that is educated and affluent: 57% have incomes over $100,000; 56% have graduate degrees; 40% are non-Jewish.

Marketing
A targeted campaign will include advertising in The New York Times and select art and cultural publications; extensive press and media coverage; social media outreach; outdoor advertising campaign; on-site visibility; direct mailings and promotions to domestic and international tourism agencies as well as to museum, educational, and cultural interest groups.

Public and Education Programs
Events will be included as part of Writers and Artists Respond (a series of thought-provoking discussions and performances held in Museum galleries led by artists, musicians and writers) and Dialogue and Discourse (conversations around current exhibitions that highlight relevant scholarship, global perspectives and cultural issues). The exhibition will be featured in Museum Education programs, reaching thousands of public school children, teachers, and families.

Sponsorship Opportunities
We offer a range of benefits that can strengthen corporate image, enhance visibility, provide one of a kind hospitality opportunities, and share direct access to an influential cultural audience.

Today we take for granted the interrelatedness of modern art, interior design, and fashion, as well as the idea of beauty as a form of personal expression. Beauty Is Power will illuminate how Rubenstein redefined the status quo, joining modern art and design with commerce to promote a revolutionary new understanding of beauty: personal, modern, and egalitarian.

Helena Rubinstein: Beauty Is Power is the first museum exhibition to focus on renowned cosmetics entrepreneur Helena Rubinstein. Beauty Is Power
will explore how Rubinstein—as businesswoman, arts patron, and one of the leading collectors of avant-garde and African art of her time—blurred the boundaries between commerce, modern art, fashion, beauty, and design.

Rubinstein, the world’s first self- made female millionaire, enjoyed international renown and a sixty-year reign as “Madame.” Born in 1872 in Krakow, Poland
to an egg merchant, Rubinstein built an empire by promising transformation and enticing customers with products labeled with exotic, made-up names like Valaze. She melded commerce and aesthetics in a new kind of accessible space— a salon with a modernist sensibility. With successful establishments in Sydney, London, and Paris, Rubinstein brought her ideas of personal improvement and female empowerment to the U.S.

Rubinstein’s enterprise was guided by the principle that average women desired self- transformation. Inspired by the tradition of European salons,
Salvador Dali, Princess Artchil Gourielli - Helena Rubinstein, 1943, Private collection.

Rubinstein opened her first New York salon in 1915, in the wake of two revolutionary modernist events: the Armory Show of avant-garde European art and the Suffragette Movement at whose rallies women wore lip rouge as a badge
of honor. Her salon embodied this conjunction of creativity and self-determination, using art and fantasy to inspire her clientele to think independently.

Helena Rubinstein: Beauty Is Power will reveal—through artworks, photographs, and ephemera—how Madame Rubinstein’s innovative business methods and unique style challenged conservative taste and ushered in a modern notion of beauty: democratized and accessible. Much of her famed art collection, which was globally dispersed at auction in 1966, will be reunited for the exhibition, including works by Pablo Picasso, Constantin Brancusi, Elie Nadelman, and Frida Kahlo, as well as her iconic collection of African art. Other highlights include a selection of her collection of miniature period rooms, exotic jewelry, and couture by Balenciaga, Schiaparelli, and Poiret. The exhibition will study Rubinstein’s exploration of ethnic and stylistic diversity and how it challenged the notion of ideal beauty.

Rubinstein pioneered the use of modernist display at her salons and numerous homes, collaborating with architects and interior designers to showcase her art and outlandish décor. These environments reflected an eccentric aesthetic that was deeply influenced by Surrealism. Her New York City apartment, for example, featured murals painted by Salvador Dalí. The exhibition will also document her salon, comprised of numerous rooms each decorated differently: from dark-blue velvet-covered walls; to an exotic Chinese-stylized room; to one dedicated to Louis XVI.

Helena Rubinstein: Beauty Is Power will illustrate Madame’s genius for marketing both her products and her image as a tastemaker. Packaging and magazine ads for her cosmetics were influenced by modern art and design. Her salon windows cleverly capitalized on contemporary museum exhibitions or incorporated avant-garde art, such as Man Ray’s painting of disembodied lips promoting a new line of lipsticks. Her savvy for self-promotion will be seen in the dozens of portraits she commissioned by Salvador Dalí, Graham Sutherland, Marie Laurencin, and others.

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